Past Exhibits

The exhibition The Print Club of Cleveland: Selected Presentation Prints includes 15 works in a variety of media by an impressive coterie of international artists, cultivated by a visionary organization. Founded in 1919 through the dedication of 16 collectors with a passion for prints, the Print Club of Cleveland reflects the prestige of the institution of which it is an affiliate, the Cleveland Museum of Art. Innovative in its inception, the club continues to enrich the museum’s world-class print collection and promote interest in the history of printmaking.

But although Marriage be Common to all the Nations in the World, yet it is not regulated by the same Laws, nor celebrated in the same Forms and Ceremonies, they varying according to the diversity of Religions and Nations. (p 3) -- Louis de Gaya. Nuptial rites, Or the Several Marriage Ceremonies Practiced amongst all the Nations in the World. London, 1685.

Featuring Jules Acree '12 Deanna First '12 Keama Garrett '15 Joshua Hupper '04 Miyako Nakamura '05 Anne Skoch '17 Made possible with the generous support of Dr. Linda L. McDonald and the Ohio Arts Council.  

Award winning artist and beloved professor, Janice Lessman-Moss is renowned for her intricate weavings. The Kent State University Museum exhibition, Dancing with the Distance showcases more than thirty of her works. The weavings, which span a period of twenty years, display the evolution of her craft and were created on a variety of different looms from hand looms to digital jacquards and power looms. Her mastery of technology extends not just to the use of high-powered looms for weaving but also to the design of the patterns.

TEXTURES  synthesizes research in history, fashion, art, and visual culture to reassess the “hair story” of peoples of African descent. Long a fraught topic for African Americans and others in the diaspora, Black hair is here addressed by artists, barbers, and activists in both its historical perceptions and its ramifications for self and society today. Combs, products, and implements from the collection of hair pioneer Willie Morrow are paired here with masterworks from artists including James Van Der Zee, Sonya Clark, Lorna Simpson, Mary Sibande and Zanele Muholi.

KSU Fashion Student and Museum Intern Pierce Morgan was inspired by a purse he found in the Museum collection which had an assortment of personal items including a baby picture, Green Stamps, and a Christmas list.  He was intrigued by what stories and mysteries might be held in other bags and so he curated this display that helps us imagine.

We live in a world where fashion, celebrity and personality are inextricably intertwined and elevated to heights of global phenomena. A singular name — Cher, Madonna, Naomi or even Bernie — denotes an immediate and comprehensive image of personae, values and impact. The name Chanel has endured for over 100 years: What does that tell us about the House of Chanel and what does that reveal about us?

During the past decade, the Kent State University Museum has continued to build our world class collection of fashions and textiles. Because the permanent collection now includes nearly 30,000 objects, we must be selective about what we can accept. The array of pieces on display in this exhibition highlight the Museum’s priority to broaden the diversity of makers and designs in the collection and to augment important areas where we have little or no representation.

This collection of handbags comes to the KSU Museum from longtime friend and supporter of the Museum, Audrey M. Kail.  Mrs. Kail passed away early this year and she wanted her sparkling collection of bags by Judith Leiber and Kathrine Baumann to be shared with students and the public for years to come.